O my! This is IT. It’s perfect. It’s so lascivious, but curious, slightly feline, very botanical, darling, and nasty. Thank you. Wow!
— Lyn Hejinian
So happy about the website — excellent & elegant! People love it! You are a genius at so many things — gratitude.
— Anne Waldman
— Petah Coyne
Thank you so much, HR! People love the website!
— Etel Adnan & Simone Fatal
Do you know designer HR Hegnauer? HR worked on this book and one can tell. HR’s a writer and performer as well as a designer, and brings, well, an ethic, to the task of turning an author’s work into an object. I say all this, all this about design and whatnot because to me (& to you) it really does matter; it has an effect on one’s relationship with the poems; here, it’s a wide page, margins aplenty, but few words, almost a Celanesque glint, a Dickinsonian glister to the shape and vector of the words aligned as they are — content not withstanding, then content to be withstanding, with metaphysical inquiry, with age-old conundrums.
— Noah Eli Gordon, The Volta
The physical book itself is so aesthetically pleasing, that one might be tempted to frame it.
—Robin Elizabeth Sampson, We Who Are About to Die
What makes this particular edition a joy to hold is the design by HR Hegnauer, incorporating cover art by Nancy Blum. With a 7″x8″ trim size, 148 pages of creamy, heavyweight paper, generous 1.5″ margins, and even pumpkin-colored endpapers!, this is the kind of book that reminds you why all is not lost for the medium. Seeing that it was printed under the guidelines of the Green Press Initiative just makes the feeling that much more snuggly. Kudos to Blum, Hegnauer, and Belladonna* for a thoughtful and pleasing design befitting the work of Harryman and Hejinian. Brill, brill, and brill.